Thursday, 27 February 2020
Friday, 21 February 2020
Sunday, 16 February 2020
An Excerpt From a Short Story
The Girl who Lives in the
Wind
- Benjamin Jing
- Benjamin Jing
“Home isn’t a place, it’s
a feeling”—Cecilia Ahern.
[Goodbye]. I watched as
half of my heart walked away into the night, the end of my grey scarf curling
gracefully behind her. She never looked back. Not once. And here I am now. Still
dreaming of her. She would dance amidst a phantom wind, a silver balloon
glowing in the pale moonlight. The winds would rise, and I would chase that
balloon, always touching its string but never quite grasping it. The balloon
drifted further. And further. And further.
“We always believe our first love is our last,
and our last love our first.” – George W. Melville.
There was this spot we
used to go to, underneath the Sydney Harbour Bridge. We would hold each other
tightly underneath that painted sky, watching as brides and grooms posed for
wedding photos amidst the backdrop of the Opera House. I remember our first
kiss. It was on a bench beneath a towering fig tree. The speckled sunlight
would penetrate that leafy canopy, splattering our faces with soft blooms of colour.
Now I sit on a grassy hill, only a few metres from that bench. Sometimes I
still feel the ghost of her hands, warming my own wind-battered palms.
I hated her for cheating.
I loved her for loving me.
And
now she’s gone.
This was a creative piece in which I focused on using figurative language to its fullest extent in order to convey emotions of loneliness and longing. The convergence of the past and present within the same setting allowed me to highlight the progression of the character's internal self, which generates interest in how the character might move on. I tinted the memory with an artistic filter ("splattering our faces with soft blooms of colour", which differs from the harsher reality of the present ("wind-battered palms").
Saturday, 15 February 2020
Something Beautiful
This photo contains a rather abstract form of beauty, which can be found in a particular interpretation of the scenery. It was taken on a crossing over a road near my house, during a period of personal turmoil. I find solace from the narrowness of the view; it is straightforward, distant, almost endless. The road reminds me that my journey has only just begun, and it teaches me to focus on the events that lie ahead rather than the adventures in which I've left behind.
Friday, 7 February 2020
Inspiring Architecture - The National Taichung Theatre, Taichung City, Taiwan
I was fortunate enough to visit the National Taichung Theatre in 2018, where the Theatre's design compelled me to consider how architecture might interact with its surrounding environment. A fascinating aspect of the Theatre included the use of curvature in its external design. From the outside, the Theatre uses its flowing silhouette and surrounding park space to contrast the dense skyscrapers which tower above the Theatre. I interpreted the irregular design as a metaphor for art, where the contortion of reality is a form of expression. The irregular design of the Theatre reminded me to consider the necessity of asymmetry and fluidity in architecture, and how these conscious design traits may represent a building's purpose.
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